Monday, April 9, 2018

Carpaccio: Vol. 2, No. 2: Ellie, Whitey and Why I Love Black People



Forget swimming pools and movie stars. Try Kool-Aid and Black People...

           
         IN GENERAL, I DO NOT eat soul food. Ribs, chicken, cornbread, mac and cheese, yes…but, deep cuts, nah. I do not like pig’s feet. Or chitterlings. Or black-eyed peas. Or collards. When black people learn this about me they do not care that my people are from Barbados and not Alabama. They not only demand my union card, they want me to volunteer it. With shame. I tell them I earn it back every time I buy a house and months after receive a letter from the state’s attorney general telling me the mortgage companies racially profiled me, overcharged me on points and interest rate and thus my name has been added to a class-action discrimination suit (You laugh, but it’s happened two of the three times I’ve purchased a home. Mortgage Master, Bank of America and Wells Fargo, all guilty).
            I love the improvisational genius of black people. The making something out of nothing valuable _ so valuable that white people will want what they gave us back _ is the genius of hip hop. The conditions, the environment, the danger, the utter lack of resources – are the ghetto, and yet black people found a way to turn those conditions, designed by the state and private industry to ensure the failure of an entire people, into a billion-dollar sound. Nobody like us.
Taking nothing (for example the unwanted remains of a slaughtered pig) and making an international cuisine of it, was rooted in survival but is also an example of that improvisational genius. And let there be no mistake: black people were never intended to make it here. We were brought here to work. For free. We ate what was left, and now soul food restaurants are so cool they exist in Scottsdale, Arizona, a place that as late as the early 1960s did not allow black people within city limits after dark. Nevertheless, I remain undeterred. You can call me inauthentic. You can demand by black card,. You can disinvite me to the cookout (I’m coming, anyway), but chitterlings are, and forever will be, pig intestines. 
And they are nasty.



My mother used to stink up our house cooking chitlins. I would turn green and she would sneer, “You’re not my son.” It was in this spirit of emotional scarring that I arrived at Lo Lo’s Chicken and Waffles in Scottsdale.
            Lo Lo’s has been in Scottsdale for years. It is where black baseball people meet. Chicken and Waffles sound alternately delicious and repulsive (two sides of the American coin when it comes to food). In the spring of 2017, after a morning at Giants camp, former all-star Ellis Burks and I did Lo Lo’s for lunch. Ellis played 17 years in the big leagues _ Red Sox, White Sox, Rockies (Shoulda been MVP in 1996), Giants, Indians, and lastly won a ring with the 2004 Red Sox _ and now works as a special assistant with the Giants. Shawon Dunston, a Giants coach and another former all-star, was supposed to join us, but he did not.
              

Ellis Burks: 18 years, 2,107 hits, 352 HRs, two-time All-Star, one Hall of Fame story.



            We sat at a high top, a long table for multiple diners, but it was just the two of us. The food is enormous, colossally unhealthy but decadently good (I had the Phat Azz Samich: catfish, cheese, bacon on a brioche bun). Fitting for America, virtually everyone both working and dining at the restaurant would be medically classified as morbidly obese. The food smelled good. It tasted damned good, and I was getting _ as they say in Oakland _ hella mad.
Some people let their politics get in the way of their sports. Others let politics get in the way of their sex. My politics get in the way of my food. Pig’s feet smell awful. It’s been so long I cannot remember having ever tasted them, but despite my admiration for our entrepreneurial genius, my politics are insulted that I am asked to eat what other cultures throw away. I am told to like it. I am inauthentic if I don't. I am told to disregard the obvious health hazards to eating our cultural cuisine. I am told, even more disgustingly than the smell of chitterlings, that rejecting eating the dregs, all that they would let us have, is not only anti-black but a plea to be white. That is some bullshit.
“Yeah to all that,” my cousin Chuck once said. “But chitlins with some hot sauce taste goooooood.”  
            Lo Lo’s sells Kool-Aid. Not fruit punch. Kool-Aid. For reals. Ellis and I laughed at the stereotype in commercial action, especially as the brothers in there were drinking it was Fiji water, the natural spring of the homeland. I look over Ellis’ shoulder and there is San Francisco Chronicle beat writer Henry Schulman, getting down on a lunch special while tapping on the laptop. When they served it in 32-OUNCE MASON JARS, I started going dark again. Death by Kool-Aid and waffles. The Diabetes Special. Killing ourselves isn’t funny.


"What's your favorite flavor?"
"Blue."


            I love being around the black heritage of baseball. I first interviewed Ellis Burks in 1997 at the Oakland Coliseum. Rockies-A’s interleague. He was taking batting practice listening to Cameo’s “Candy” on the loudspeaker and singing along. Jim Rice taught him how to tip, how to be a big leaguer. We’ve known each other 20 years. We laugh at the time back in Boston when his manager Joe Morgan (the other one) brought him into his office, circa 1989 or 1990. He was hitting over .300. The team was playing well. Morgan was rambling. Burks was wondering why he was in the manager's office. Then Morgan dropped it on him: Somebody saw Burks with a white girl and it got back to Morgan. 

      "Just be careful," Morgan told his young centerfielder. "I hear you been chasing that cat a little bit too hard lately."
      "That cat?"
     "Yeah. That white cat. I hear you been getting after it lately." 



            We order. There’s blue Kool-Aid on my table. An old white man walks by who reminds me of Whitey Bulger. I dive into the Phat Azz samich. Ellis says matter-of-factly, “Did I ever tell you the time I hung out with Whitey Bulger?”
Uhhhhhhhhhhhh….Whaaa?

     

Black Jeopardy answer: "Did I ever tell you the time I hung out with Whitey Bulger?"
What is, "Something you never expected Ellis Burks to say?"                                       


        "Had to be my rookie year,” he says. “I was out one night after a game at some bar and these guys were talking and they come over to me and a couple of friends. These were big guys surrounding one guy. This guy was the somebody, because no one did anything unless he said to. Everybody was afraid of him. A half-dozen people waited on him hand and foot. The whole time I was there he was asking me about the team, so I figured he was another Red Sox superfan. He’s asking about Boggs and Clemens, injuries. They wanted inside stuff on guys – who was healthy, who was having marital problems. What was going on with this guy’s slump, whatever.

“Then a couple of his guys asked me if I wanted to come hang out at their place. I didn’t know the difference between the South End and Southie, so I said, ‘Yeah.’ And I end up in Southie. Seriously. Like I said, I had just gotten to Boston. I was brand new. So we go to this place _ this unbelievable penthouse _ and it is wild: girls, bodyguards, people hanging out. It’s crazy. The guy tells me to take whatever I want. And he’s pointing at the girls, too. I said I had a girlfriend. He said ‘Everybody does.’ Then they start wheeling out serving carts with cereal bowls full of cocaine. Anything you want. It’s yours.
            “Now, I see that shit, and I’m getting scared. I can’t be around no kind of drugs. I gotta get outta there. I tell them, ‘I gotta go. We’ve got a game tomorrow.’ I get ready to leave and he says to me, ‘I know this town. I know how this town is. If anyone – ANYONE – gives you any shit, for any reason, you come see me, all right?’ All night, I had no idea who he was. End of the story. Never saw him again. Never spoke to him again. That was it. All these years later, he gets caught. I see it on TV and I was like, ‘OH SHIT THAT’S THE GUY!!’” - HB




Saturday, April 7, 2018

Carpaccio: Vol. 2, No. 1: (In your best Rakim voice) 🎶It’s been a long time...🎶

So, HB, where you been? 
How does a person lose themselves so completely? Writing this, I feel like Don Corleone, sitting at the table with the Five Families, asking the question, "How did things get so far?" I am, of course, talking about Carpaccio, and the last entry being nearly four years ago, Aug. 3, 2014. How could four whole years pass without a single entry to this frivolity I enjoy so much? 
The first answer is unsatisfactory but kinda true: There are only so many words. On book project, I tend to marshal the words I do have in me into the manuscript I'm working on. It is not an infinite reservoir of words and one must be judicious, focusing on the project instead of some bullshit appraisal of the octopus at Landmarc (above average, by the way). 
This justification for not writing isn't just unsatisfactory, but I'm mistaken: it's patently untrue. Plenty of words have been spilled that never made it between two covers. A quick look at my Twitter profile says I tweeted 77.1k times since 2009, cutting that roughly in half would mean maybe 40,000 tweets at 160 characters is a lot of words that could have been allocated to Carpaccio but instead were spent sparring back and forth online. This is inexcusable. 

The second answer is more pure: I lost interest in this little hobby. The last entry was Aug. 3, 2014, a few days before police killed Michael Brown in Ferguson. Ferguson is a true demarcating line in America, and an intensely personal one for me, where black folk especially, regardless of our historical layers of protected covering were reminded in ways maybe we wanted to forget not to feel as though equality had been achieved, that the state is now colorblind, or your ability to be served at Morton's means Morton's wants to serve you, or its customers want you in the dining room or both don't still believe it's their dining room and they're graciously allowing you to enjoy sitting in it. It has always been better to assume nobody cares if you're in there or not, but that would be foolish. 
Ferguson was followed by "Hands Up, Don't Shoot!" and Jordan Davis and Sandra Bland and Tamir Rice and Philando Castile and Alton Sterling and suddenly my feelings about the Sunrise Roll at Roy's not only felt unimportant but offensive. Who the fuck cares about your fancy dinner? 
Four years later, the second answer still applies, what with Stephon Clark being shot in the back by Sacramento police and Houston Texans owner Bob McNair essentially saying "Sorry not sorry" for apologizing to players for calling them "inmates" a few months ago. The issues haven't gone anywhere. 
Still, writers write and you use the times around you to write differently, feel differently. The desire to resume Carpaccio has returned, to chronicle the often bizarre and humorous life of covering sports, the food encounters that come with it – and the people at my tables. Humor is important and so is an outlet, so let's not take any of this too seriously. 
As I told a friend earlier this evening, if this blog ever amounts to nothing more than the uninteresting exercise of me snapping pictures of my dinner and assessing the consistency of my parsnips, feel free to slap the shit out of me. It's a standing offer. - HB